July 19, 2018
A woman of keen instinct and unshakable loyalty. A proud warrior prince and his wounded half-brother. Glory, passion, treachery and conspiracy on the grandest scale.
As I prepare to release Falcon Blue, Book Six of The Child of the Erinyes, I’m putting the boxed set containing full-length versions of books 1, 2, and 3 on a 99 cent sale from July 19 through July 22. I want to provide new readers an easy way to begin at the beginning with little financial pain and get nearly caught up. This three book bundle takes place in ancient Greece and Crete, and I sometimes refer to it as magical historic fantasy.
Myths, both well known and intriguingly esoteric, the supernatural, my own vision, and real history are all entwined in these stories. Beginning in the Bronze Age, a matriarchal society on the island of Crete walks a fine line with its opposite on the mainland. The Year-god’s Daughter introduces Aridela of Crete and two brothers—Chrysaleon and Menoetius of Mycenae. It builds the world of ancient Crete, sets the stage for a tragic love triangle, and ignites the contest for ultimate power that will span millennia. Unforeseen consequences follow the eruption of the Santorini volcano in The Thinara King. This was a super volcano, the worst of the worst. In the Moon of Asterion is my interpretation of the famous myth of the Minotaur and the final struggle as the once-insulated Cretan culture collides with the changing world. All three books revolve around the king-sacrifice, a controversial custom in some ancient societies, which was at times replicated in ancient Britain.
After their sometimes selfish, sometimes misguided actions draws the wrath of the gods, (where would storytellers be without “the wrath of the gods!”) this trio is cursed to live seven times in order to satisfy their moera, or fate. The planned eight-book series follows them through their various lives.
At its heart, the series is a story of the clash of cultures: the matriarchal culture on Crete versus the rising power of patriarchy on the mainland of Greece, and how history was defined by it.
The boxed set includes an excerpt from Book Five, The Sixth Labyrinth, and teasers from Falcon Blue and Swimming in the Rainbow (Book 8, the finale of the series.)
Five books in The Child of the Erinyes series are currently available, with the digital version of book number six, Falcon Blue, oh-so-close: it’s up for preorder at Amazon, B&N, iTunes, & Kobo and is also 99 cents until publication day. It will go live on August 4, 2018, at which point I will begin work on book seven, When the Moon Whispers—the climax of the series. The denouement is coming at last!
The middle trilogy of the series takes place in Britain, which is not as completely off the wall as one might think. There was a lively trade of tin, silver, bronze, and other goods between ancient Crete and ancient Britain, plus Menoetius’s mother was a priestess of Avalon—a woman gifted with a life of ten thousand years.
Each book in the middle trilogy is a completely-told story or “life,” and each is set in a different era: The Moon Casts a Spell takes place in the 1850s during the potato famines, and leads into The Sixth Labyrinth, set in the 1870s in the aftermath of the Clearances in Scotland. Falcon Blue goes back in time to the Cape Wrath area, and tells the story of the first reincarnation after Crete. It is set in the year 502 AD.
Every life lived by my triad builds to the climax of When the Moon Whispers, which manifests in the future—but not too far in the future. I admit I’m looking forward to using modern language and slang for a change. It will be nice not to have to ponder what word is acceptable for “toilet.”
Because I’ve structured the series so that each book occurs in a different era, with characters who look different and are always on a new learning path, it never gets boring for me. I hope that’s true for the readers as well. My wish is that the series carry the reader away from cares and problems for a little while, provide an escape to another place and time, with characters who can be identified with, rooted for, and in some cases reviled, as they stumble, fall, and rise again.
And to think it all began with D’Aulaires’ Book of Greek Myths, which I devoured at about the age of seven. It was out of print for many years but I think it’s been re-released, for all the parents out there…
Many of my writing compatriots have talked about how becoming an author changed their lives, about the importance of writing, and how they are always writing, even when they’re not sitting at a computer but fixing dinner, running errands, toiling at a paying job or showering. (Showering especially.) How everything is seen through the lens of a story. Some authors liken writing to a lifeline. That’s sort of how I feel about it. I was under ten when I started writing and let me tell you, I had to deal with active ridicule and intense attacks. I could have given it up, but I didn’t. If anything, I affixed myself to it with every fiber of my being.
And while I wouldn’t exactly recommend my parents’ child rearing style, when I look back, I realize how seamlessly it formed me for this career. I spent so much time alone that I learned to love solitude. My imagination became my best friend…and there was an amazing forest behind my house where I wrote one tale after another, tales that eventually, thought by thought, word by word, year by year, evolved into The Child of the Erinyes.
Though the actual story of The Child of the Erinyes is purely fictional, invisibly woven through every line is my history—the world I have witnessed, lived, and dreamed, the world I, and many others, have had to grapple with over and over again.
September 10, 2014
Grab a free Kindle copy of The Year-god’s Daughter all day Monday, September 15, 2014! I hope you enjoy the read.
Click HERE for the multi-region Amazon link
I also invite you to check out my new boxed set, which includes the first three books, bundled together: The Year-god’s Daughter, The Thinara King, and In the Moon of Asterion. Over 900 pages, the complete Bronze Age portion of The Child of the Erinyes series, and sneak peaks at upcoming books.
For a short time, the boxed set will be discounted to $5.99, which is $2 off its regular price–all three stories, at a savings of $6.00 when compared to buying each book separately.
Click HERE for the multi-region Amazon link to the box set
And, please download the free (I hope Amazon makes it free in time) 114 page novelette, The Moon Casts a Spell. This story is a short prequel to the next book in the series, The Sixth Labyrinth.
The Child of the Erinyes is a projected six book series, with three currently available. I’m working hard on Book Four, The Sixth Labyrinth, and the other companion novella.
August 22, 2014
“Duh,” you might be thinking. “Why did she never do this before?” Good question. A light bulb finally went off in my brain and I have rectified my lapse, which means that a digital box set of the first three books in The Child of the Erinyes series is available at Amazon!
Honestly, the Bronze Age segment of the series was always meant to be ONE book. That’s how it was written. But it was just too big. Put all together, it runs nearly 900 pages. As a new author, I didn’t think anyone would be willing to take a chance on such an enormous story, especially in print form, (so heavy!) and those with far more experience advised me to split it up. But my heart always wanted it to be one, so I am thrilled to announce this new release. The entire Bronze Age portion can now be read in one fell swoop, and priced at $7.99, that makes one of the books FREE when compared to buying each separately.
The ebook boxed set includes the following full-length novels: The Year-god’s Daughter, The Thinara King, and In the Moon of Asterion. At the end there are also previews to Book Four, The Moon Casts a Spell, Book Six, Falcon Blue, and Book Eight, Swimming in the Rainbow.
As you may or may not know, the first three books encompass the “beginning,” of The Child of the Erinyes series. All three are set in the Bronze Age–1600s BCE Crete, (and Mycenae)–to be exact, during the era of the cataclysmal volcanic eruption on the island north of Crete, nowadays called Santorini. (In my books, it’s called Callisti, one of its ancient names.) It’s a coming of age tale, a mythic saga, a story of love, hate, lies, subterfuge, the struggle for power, and the hope of redemption.
For ninety days, I’ll be pulling the books from other retailers in order to comply with Amazon’s requirements so that I can run a few handy-dandy promotions. Which means two things: if you read books on a Kindle, keep an eye on Amazon for upcoming special deals on the individual books, and, if you’re a member of the Amazon Kindle Unlimited program, you can read each book for free.
Once the box set is up and running, I’ll be able to get back to work on The Sixth Labyrinth. It, too, is a colossal book: nevertheless, I’m hoping to publish it in one volume, and the one after that, as well, if possible. The last book of the series (Swimming in the Rainbow) is currently a mere 70,000 words–hardly bigger than a novella!
For those of you who have already read the Bronze Age portion of the series, I hope to whet your appetites for what is still to come.
A silenced but enduring Goddess has seen her place in the souls of humans systematically destroyed, but she bides her time. For Athene, thousands of years mean nothing.
The Bronze Age prophecy:
I have lived many lives since the beginning, and so shalt thou. I have been given many names and many faces. So shalt thou, and thou wilt follow me from reverence and worship into obscurity. In an unbroken line wilt thou return, my daughter. Thou shalt be called Eamhair of the sea, who brings them closer, and Shashi, sacrificed to deify man. Thy names are Caparina, Lilith, and the sorrowful Morrigan, who drives them far apart. Thou wilt step upon the earth seven times, far into the veiled future. Seven labyrinths shalt thou wander, lost, and thou too wilt forget me. Suffering and despair shall be thy nourishment. Misery shall poison thy blood. Thou wilt breathe the air of slavery for as long as thou art blinded. For thou art the earth, blessed and eternal, yet thou shalt be pierced, defiled, broken and wounded, even as I have been. Thou wilt generate inexhaustible adoration and contempt. Until these opposites are united, all will strangle within the void.
She vowed to bring back her daughter and “an immortal corps” of followers, and she does. Aridela and her companions experience history first hand, living it as it unfolds, not as royalty any longer but as ordinary human beings with extraordinary psyches.
The Sixth Labyrinth: nineteen-year-old Morrigan Lawton knows she is different–fears she could be a changeling, or even mad. She tries to hide her oddities, because this era in history is quite fond of their insane asylums–especially for women. She is plagued by nightmares, sacrilegious thoughts, an intense imagination, and an indomitable nature that just doesn’t fit in straitlaced, conservative Stranraer, Scotland, during a very tightly corseted and patriarchal Victorian era.
Her wild, high-flying spirit is nearly crushed beneath the expectations and mores of the time, not to mention her father’s iron fist. Thankfully, change arrives in the form of one Curran Ramsay, a young landowner from the Highlands. Is their meeting chance, or was it designed? Where is the third point of the triad…and the rest of the immortal corps promised by Athene? All are brought together again, to live and learn in a place very far removed from the palace and labyrinth on Crete so long ago.
The setting has a big role to play in this sweeping tale, from sleepy Stranraer on the shores of Loch Ryan to the remote, enchanted village of Glenelg, tucked beneath the imposing summits of the Five Sisters of Kintail. Here, in a spot still utterly devoted to the mystical beliefs of a rich Celtic past, Morrigan comes face to face with destiny. The story stays on the move, to moody Loch Torridon, to the thundering 900 foot cliffs at Cape Wrath, to cosmopolitan London, and finally, to the awe-inspiring, sea-scoured Hebrides islands.
Why Scotland? I needed a change of scene, a completely different culture, new research challenges. So did my protagonists! Scotland is a magical place, where the veil between ancient myth and mortals is thin. I spent a month in Scotland visiting these settings while researching the book, and believe me, there is something about it that I have never sensed anywhere else–especially at the haunting ruins of Castle Kennedy, not far from Stranraer.
I was raised on huge books. I like feeling immersed in a big, encompassing tale. I hope there are others who feel the same way, and if A Game of Thrones is any indication, there remains a healthy contingent of long-story lovers out there. So I offer my usual disclaimer: it’s not for everyone, but if you enjoy disappearing into a long, complex saga with sequels, what I like to call a myth with meat, I hope you’ll give The Child of the Erinyes a try.
Bibliographies, myths, history, links to excerpts, and more can be found at my website: Rebecca Lochlann
The Thinara King, multi-region link
In the Moon of Asterion, multi-region link