Hey everyone, here’s wishing you all, wherever you may live in the world, a happy and peaceful winter season.
Recently I discounted the first book of my series, The Year-god’s Daughter, to a hard-to-beat ZERO. I figured everyone across the globe who wanted it probably had it already, but I was wrong, and surprised at the response. Without any advertising or social media mentions, hundreds of copies have been downloaded, along with hundreds of The Thinara King, book 2 in the series, which is running at 99 cents.
It’s been so much fun seeing new readers pick up copies of the first two books, and an impressive number of the subsequent books as well. I even received a new 5 star review already! My thanks to all who decided to take the leap, though the series is not yet fully published.
The Powers that Be thought it might be nice to expand this sale and make it very easy for readers to collect all the books available thus far.
So, beginning the day after Thanksgiving in the United States, (Friday, November 25), Erinyes Press will discount every book in the series to 99 cents, except for The Year-god’s Daughter, which will continue at its current price of FREE.
We don’t run sales like this very often, so take advantage! First and foremost, I hope you ENJOY!
Hopefully, reading the first five books will whet your appetite for the next: Falcon Blue.
And let me know if you shed a tear here and there, for as we all know, there is no light without the dark.
Hey everyone, I hope summer is going well for you!
Beginning Wednesday, August 24, 2016, through Saturday, August 27, Erinyes Press invites you to pick up the first four books in The Child of the Erinyes series for just $1.99! Catch up on the series with this convenient boxed set. Over 900 pages of award-winning historical fantasy!
This is nearly 90% off what it costs to buy each book separately.
This boxed set includes: The Year-god’s Daughter… The Thinara King… In the Moon of Asterion… & The Moon Casts a Spell, which kicks off the middle trilogy, set in Scotland.
The center trilogy includes The Sixth Labyrinth and Falcon Blue (not yet released.)
Here’s a handy universal link to all the retail sites where you will find this limited-time boxed set: Amazon, iTunes, Kobo, Barnes & Noble, etc. CLICK HERE.
“I have a little shadow that goes in and out with me.” ~~~~Robert Louis Stevenson
In The Child of the Erinyes, a series dealing with reincarnation, only one of the main characters retains memories from previous lives. Because the others come back with a clean slate, so to speak, I’ve had to work out how they find each other in every new experience.
One of several methods I use is the aura. It’s part of what draws the triad and keeps them together.
Auras are interesting phenomena. Described variously as “a breath,” “an emanation,” “a vibration,” and an “electromagnetic field,” these are colors that circle around people, invisible to most of us, but seen or sensed by some. Individual colors mean rather specific things, though there isn’t always agreement on what.
Brilliant, clean colors envelop people who are farther along on the spiritual trail, “higher beings,” while muddy, dark colors point to trouble—a person mired in distress, hate, or sickness.
Thoughts and feelings can alter the color and density of the aura. When colors flash and change swiftly, it’s an alert that thoughts and emotions are in flux.
Generally, auras are made up of a mix of colors, though one will be dominant.
Since our auras come in a wide panorama from subtle pastel to blazing primary, I needed to understand these characters and their desires/motivations on a deep level in order to choose the most appropriate aura. Here are the ones I used and why.
Stranraer, Scotland, 1872: the first time Morrigan Lawton sees the stranger Curran Ramsay, he is standing inside a train getting ready to step off, and is in shadow. She’s looking up at him from the outside.
“A mist of color surrounded the being on the step, like a rainbow glimmering through watery clouds, but this rainbow offered only the blue spectrum, with hints of violet.”
Blue signals a person who is visionary, intuitive, and sensitive. But an aura isn’t simply “blue.” There are different shades of blue, and Curran (Menoetius from the Bronze Age) has them all in abundance. His aura communicates his ability to accept others and love deeply. Vivid blue tells us he is generous and spiritual. Indigo deepens that. Violet reveals that he is idealistic, even somewhat magical.
Curran Ramsay also sees Morrigan’s aura. He describes it as pure gold, glittering like a sea of mica, with entwining whispers of lavender.
Gold is a rarely seen aura, so of course I reserved it for the high point of the triangle, Goddess Athene’s child and brightest hope, Aridela—Morrigan Lawton in this incarnation. A person washed in gold is protected by divine beings. He or she walks a special, guided path. Lavender affirms that Morrigan is as much a visionary as Curran, but also a daydreamer—someone with a very active imagination.
Later, in Glenelg, Morrigan is introduced to the local midwife and healer, Eleanor Graeme, whose aura is a restful green. Green is not only a healer’s color but a teacher’s, a person who wants to help others. As Eleanor is the reincarnated Themiste from the Bronze Age, it makes sense. Themiste’s most ardent desire was to follow Aridela, to help her and make amends for the things she felt she had done wrong.
Chrysaleon of Mycenae is the problem child of the series, and in The Sixth Labyrinth, his aura displays this. Here he is Aodhàn Mackinnon, a guy with plenty of secrets—and the only character burdened by previous life memories. Perhaps that’s why his aura is red, with accents of orange, and sometimes mud! A red aura suggests a person who is not so advanced spiritually. He or she is stuck in earthly interests like jealousy, anger, sexual obsessions, and amassing power. It’s not always a bad color: it can mean dedication, and as noted in The Sixth Labyrinth, can be the prevailing color in rebels, ascetics, and artists—anyone who is passionate about something. Orange combined with red announces Aodhàn’s deeply rooted need to control things. It has, after all, kept his defiance alive and fired up for over three thousand years at this point.
Lastly, we have Diorbhail Sinclair—the reincarnated Selene. Selene is arguably the most resplendent champion of my saga so far: I actually refer to her in my own mind as the “Samwise Gamgee” of The Child of the Erinyes, and not surprisingly, she has the most complex aura. Hers is overwhelmingly white, and this is the color I had the most trouble researching. On the one hand, white can be interpreted as undiluted potential, a personality in transcendence. Some say angels themselves are cloaked in white. It represents not only spiritual qualities but also concentrated truth. On the other hand, there are those who believe white alludes to disease, near death, or a disordered noise, a failing of balance and harmony. After reading these opposing definitions, I knew white was the perfect choice for Diorbhail. She ardently wants to help her friend, Morrigan, but her allegiances are conflicted by her love for Curran, who is Morrigan’s husband. Loyalty fighting desire fighting resentment—as it was in the Bronze Age. She is on the verge of ascendance, but is held back by these earthly factors.
Curran’s aura also turns white during times of high emotion, for instance when the submerged Menoetius responds to the submerged Selene. They are, and always will be, connected.
The contrary qualities of Diorbhail’s white aura are set off by traces of pink—a promise that this woman is close to achieving the highest balance of all. Diorbhail’s is the most dazzling of all the auras in The Sixth Labyrinth. It nearly blinds Aodhàn.
It was quite fun learning about auras. After researching them, I pondered their influence outside of novels. Perhaps they play a part when we meet someone for the first time and are inexplicably repelled or attracted. It could be we are subliminally seeing and responding to that person’s aura.
So… the next time someone seems to be avoiding you, or you feel strangely turned off by a new acquaintance, maybe it’s not because of the onions at lunch. The reason could be a far more subtle influence—the influence of color!
Pre-order at the following places:
Will be live on Friday, April 8, at Barnes & Noble, HERE
The Child of the Erinyes is an eight-book journey spanning 4000 years. Beginning in the Bronze Age, it follows the lives of two men and a woman as they are reborn seven times through history. The Sixth Labyrinth, Book 4 of the series, is being released 8 April, 2016.
Priestesses and Prostitutes
Have you read The Sekhmet Bed, by Libbie Hawker?
The Whore, by Stephanie Dray?
Artemis Rising, by Cheri Lasota?
What about The Year-god’s Daughter, by yours truly?
If you’ve missed any of these great stories, then I encourage you to pick them ALL up together in the four-novel bundle, Priestesses and Prostitutes, which can be had for the amazing price of 99 cents, right now, through Thursday, March 31, at the following places:
Greetings and Happy New Year!
I wanted to let everyone know that my exclusive enrollment period with Amazon has run its course, and my books are available everywhere again…Barnes & Noble, Google Play, Kobo, iTunes, Scribd, Inktera, and of course they’re still at Amazon.
Here are all the links. (They’re listed at my website as well.) iTunes is taking its time approving a couple of them, but they’ll be live soon.
Thank you to everyone who has gone to the trouble and cost to acquire one of my books, and taken the time to read it, and put forth the effort to review! During my recent Amazon Select promo, nearly 21000 copies of The Year-god’s Daughter and The Moon Casts a Spell were downloaded all over the world.
The Year-god’s Daughter (Book One):
The Thinara King (Book Two):
In the Moon of Asterion (Book Three):
The Moon Casts a Spell (Book 3.5 A Novella):
Child of the Erinyes Collection, A Boxed Set of the first three novels:
“Duh,” you might be thinking. “Why did she never do this before?” Good question. A light bulb finally went off in my brain and I have rectified my lapse, which means that a digital box set of the first three books in The Child of the Erinyes series is available at Amazon!
Honestly, the Bronze Age segment of the series was always meant to be ONE book. That’s how it was written. But it was just too big. Put all together, it runs nearly 900 pages. As a new author, I didn’t think anyone would be willing to take a chance on such an enormous story, especially in print form, (so heavy!) and those with far more experience advised me to split it up. But my heart always wanted it to be one, so I am thrilled to announce this new release. The entire Bronze Age portion can now be read in one fell swoop, and priced at $7.99, that makes one of the books FREE when compared to buying each separately.
The ebook boxed set includes the following full-length novels: The Year-god’s Daughter, The Thinara King, and In the Moon of Asterion. There is also a preview to Book Four, The Sixth Labyrinth, at the end, and NEW CONTENT, never before posted anywhere, from Book Five, When the Moon Whispers, and Book Six, Swimming in the Rainbow.
As you may or may not know, the first three books encompass the “beginning,” of The Child of the Erinyes series. All three are set in the Bronze Age–1600s BCE Crete, (and Mycenae)–to be exact, during the era of the cataclysmal volcanic eruption on the island north of Crete, nowadays called Santorini. (In my books, it’s called Callisti, one of its ancient names.) It’s a coming of age tale, a mythic saga, a story of love, hate, lies, subterfuge, the struggle for power, and the hope of redemption.
For ninety days, I’ll be pulling the books from other retailers in order to comply with Amazon’s requirements so that I can run a few handy-dandy promotions. Which means two things: if you read books on a Kindle, keep an eye on Amazon for upcoming special deals on the individual books, and, if you’re a member of the Amazon Kindle Unlimited program, you can read each book for free.
Once the box set is up and running, I’ll be able to get back to work on The Sixth Labyrinth. It, too, is a colossal book: nevertheless, I’m hoping to publish it in one volume, and the one after that, as well, if possible. The last book of the series (Swimming in the Rainbow) is currently a mere 70,000 words–hardly bigger than a novella!
For those of you who have already read the Bronze Age portion of the series, I hope to whet your appetites for what is still to come.
A silenced but enduring Goddess has seen her place in the souls of humans systematically destroyed, but she bides her time. For Athene, thousands of years mean nothing.
The Bronze Age prophecy:
I have lived many lives since the beginning, and so shalt thou. I have been given many names and many faces. So shalt thou, and thou wilt follow me from reverence and worship into obscurity. In an unbroken line wilt thou return, my daughter. Thou shalt be called Eamhair of the sea, who brings them closer, and Shashi, sacrificed to deify man. Thy names are Caparina, Lilith, and the sorrowful Morrigan, who drives them far apart. Thou wilt step upon the earth seven times, far into the veiled future. Seven labyrinths shalt thou wander, lost, and thou too wilt forget me. Suffering and despair shall be thy nourishment. Misery shall poison thy blood. Thou wilt breathe the air of slavery for as long as thou art blinded. For thou art the earth, blessed and eternal, yet thou shalt be pierced, defiled, broken and wounded, even as I have been. Thou wilt generate inexhaustible adoration and contempt. Until these opposites are united, all will strangle within the void.
She vowed to bring back her daughter and “an immortal corps” of followers, and she does. Aridela and her companions experience history first hand, living it as it unfolds, not as royalty any longer but as ordinary human beings with extraordinary psyches.
The Sixth Labyrinth: nineteen-year-old Morrigan Lawton knows she is different–fears she could be a changeling, or even mad. She tries to hide her oddities, because this era in history is quite fond of their insane asylums–especially for women. She is plagued by nightmares, sacrilegious thoughts, an intense imagination, and an indomitable nature that just doesn’t fit in straitlaced, conservative Stranraer, Scotland, during a very tightly corseted and patriarchal Victorian era.
Her wild, high-flying spirit is nearly crushed beneath the expectations and mores of the time, not to mention her father’s iron fist. Thankfully, change arrives in the form of one Curran Ramsay, a young landowner from the Highlands. Is their meeting chance, or was it designed? Where is the third point of the triad…and the rest of the immortal corps promised by Athene? All are brought together again, to live and learn in a place very far removed from the palace and labyrinth on Crete so long ago.
The setting has a big role to play in this sweeping tale, from sleepy Stranraer on the shores of Loch Ryan to the remote, enchanted village of Glenelg, tucked beneath the imposing summits of the Five Sisters of Kintail. Here, in a spot still utterly devoted to the mystical beliefs of a rich Celtic past, Morrigan comes face to face with destiny. The story stays on the move, to moody Loch Torridon, to the thundering 900 foot cliffs at Cape Wrath, to cosmopolitan London, and finally, to the awe-inspiring, sea-scoured Hebrides islands.
Why Scotland? I needed a change of scene, a completely different culture, new research challenges. So did my protagonists! Scotland is a magical place, where the veil between ancient myth and mortals is thin. I spent a month in Scotland visiting these settings while researching the book, and believe me, there is something about it that I have never sensed anywhere else–especially at the haunting ruins of Castle Kennedy, not far from Stranraer.
The Sixth Labyrinth will be accompanied by two companion novellas: these can be read before, after, during the main story, or not at all. If you read The Sixth Labyrinth and find yourself wondering more about Morrigan’s father and mother, or what sparked the instant, incomprehensible attraction between Morrigan and a certain poor fisherman, all is revealed in the novellas. There are hints of future events as well.
I was raised on huge books. I like feeling immersed in a big, encompassing tale. I hope there are others who feel the same way, and if A Game of Thrones is any indication, there remains a healthy contingent of long-story lovers out there. So I offer my usual disclaimer: it’s not for everyone, but if you enjoy disappearing into a long, complex saga with sequels, what I like to call a myth with meat, I hope you’ll give The Child of the Erinyes a try.
Bibliographies, myths, history, links to excerpts, and more can be found at my website: Rebecca Lochlann
The Thinara King, multi-region link: Amazon
In the Moon of Asterion, multi-region link: Amazon
The Year-god’s Daughter was recently awarded the IndieB.R.A.G. Medallion. If you aren’t familiar with Indie BRAG, check it out HERE. It’s not easy to win the coveted Medallion, so I was thrilled beyond description when it happened.
Today I’m being interviewed by Stephanie Hopkins, blogger extraordinaire for Indie BRAG. Please pop over and join us for questions, answers, thoughts, conjecture, and maybe some cake. Who knows?
Stephanie: “Hello, Rebecca! Thank you for chatting with me today and congrats on the B.R.A.G. Medallion. Please tell me a little about your book, The Year-God’s Daughter.”
Lochlann: “Gladly, Stephanie, and let me thank you for this opportunity. I was over the moon to be awarded the B.R.A.G. Medallion. What an honor! The Year-god’s Daughter kicks off my Child of the Erinyes series, a story that begins in the Bronze Age, on Crete and the Greek mainland, and ends in the near future. It follows the lives of the three main protagonists, along with their supporting characters, through time, as they experience history—not as queens, kings, and other VIPs, but common people like most of us, doing their best to survive and thrive with history happening around them.
In book one, the reader is introduced to Aridela, a younger princess on Crete, living a life of luxury in the great Knossos palace. We also meet two men from Mycenae who are seeking a way to overthrow this wealthy culture. All three think they know how their lives will unfold. They think they can manipulate the future to their own ends. They are very wrong.”
Click HERE for the entire interview. Thank you Indie BRAG! Thank you Stephanie! And thank you to generous readers!
Photo: “Hunting Mycenaean Dagger” by Unknown – Athens, Historical Museum. Licensed under Creative Commons Attribution-Share Alike 3.0-2.5-2.0-1.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Hunting_Mycenaean_Dagger.jpg#mediaviewer/File:Hunting_Mycenaean_Dagger.jpg
FREE FREE FREE
THE BEGINNING TO THE EPIC SERIES, THE CHILD OF THE ERINYES
by Rebecca Lochlann
Friday, May 25th is the last day to grab a free copy of The Year-god’s Daughter for your Kindle. Pop on over to Amazon before the giveaway ends tonight!
Click HERE to download a copy.
The Year-god’s Daughter
For time beyond memory, Crete has sacrificed its king to ensure good harvests, ward off earthquakes, and please the Goddess. Men compete in brutal trials to win the title of Zagreus, the sacred bull-king, even though winning means they’ll die in a year.
Two brothers from predatory Mycenae set out to thwart the competition and their deaths as they search for exploitable weaknesses in this rich, coveted society.
Hindering their goal is the seductive and fearless Cretan princess, Aridela, an uncommon woman neither man can resist, and ancient prophecies, which predict that any threat to her people will spark Goddess Athene’s terrible wrath in a calamity of unimaginable consequences.
The sequel to The Year-god’s Daughter is now available as well, and Book Three, In the Moon of Asterion, will arrive soon.
The Thinara King
Goddess Athene’s white-hot rage incinerates the isle of Callisti and inflames the seas. Crete is left in ruins.
Ash, earthquakes and tsunamis devastate Crete. The will of the survivors fades as the skies remain dark and frost blackens the crops. Aridela must find a way to revive the spirit of her people along with rebuilding her country’s defenses.
More threats loom on the horizon. Greek kingdoms see a weakened Crete as easy prey. And now Chrysaleon, he who carries the ancient title of Thinara King, feels the shadow of Death over his shoulder.
Will he thwart his fate? No other man ever has.
From Chanticleer, March 24, 2017:
There’s only sorrow for Aridela, the heiress to the throne of Kapthor when she learns her heart is not hers to give freely and every decision she makes concerning her love life brings about dire consequences for her people in Rebecca Lochlann’s The Thinara King, Book 2 of The Child of the Erinyes series.
When Aridela meets Chrysaleon, a Greek “barbarian” by the standards of her people, she falls in love. Chrysaleon, young, bold and brash, is as smitten with Aridela as she is with him, but he has been promised in marriage to her sister Iphiboë, who is bland and boring by comparison.
The marriage is all important, though, as it will consolidate his father’s power, linking his lineage with that of the Aridela’s culture, a culture that reveres the power and station of women. Kapthor is ruled by Aridela’s mother Queen Helice and guided by the powerful female oracle Themiste.
Aridela and Chrysaleon cannot help but consummate their forbidden love, yet as they do, a volcano erupts, devastating the island and killing many of Aridela’s relatives and friends. The volcano, seen as goddess Athene’s handiwork, is blamed on Chrysaleon, who has been identified by Themiste as the “lion” or the Thinara King, foretold in an ancient prophecy linking him to Aridela and a mysterious, unidentified bull figure. The prophecy states that this triad has the power to restore or destroy the world.
Rebecca Lochlann skillfully immerses the reader in a semi-fictional world of ancient rites and conflicts where characters live, die, and are reborn throughout her series The Child of the Erinyes.
The product of many years of study and fascination with the era and the mythology, The Thinara King establishes Lochlann’s connection with the novel’s setting and genre by smoothly combining many convincing elements: the handsome hero determined to win the strong-minded fair lady, the dark anti-hero plotting on the sidelines, the wise demi-goddess who keeps her own counsel and manipulates outcomes behind the scenes, the grisly battles fought at close range, and the spectacular festivals marking the passing of the years.
Lochlann’s over-arching narrative, switching from character to character, is deftly composed, making for many surprises without deviating from the backdrop with its elaborate history-rich trappings.
A tale of ancient kingdoms, of love promised and lost, heralded victory and hopeless defeat is the second novel in her much-acclaimed series, The Child of the Erinyes – another masterfully written historical fiction novel of Ancient Greece from Rebecca Lochlann.
Reviews at Amazon: read them all
At Booksquawk, May 5, 2012:
These are dark days for Aridela – sometimes graphically so; what she endures is not euphemistically portrayed – but deep inside she clings to the hope that she can withstand the abuse and prevail in order to appease Athene and restore freedom to her remaining people. Chrysaleon, too, endures much. On the verge of death, he has visions of an out-of-body journey to the heavenly land of the gods that enlightens him to his new status as The Thinara King – the one man with the power to change the destiny of everyone in the mortal world. But will he choose the right path? see more
“On Inspiration…” Interview at Triclinium & The Red Room with Elisabeth Storrs, May 13, 2012:
The Thinara King is the second book in a series. What was the inspiration for this series and how many books can we look forward to reading?